Title: City Boy (Hot off the Ice #1)
Author: A.E. Wasp and Michael Pauley (Narrator)
Publisher: Self Published
Release Date: March 16th 2018
Genre(s): M/M Contemporary Romance
Length: 9 hrs and 35 mins
Reviewed by: Belen
Heat Level: 3.5 flames out of 5
Rating: 3.5 stars out of 5
Follow the money or follow your heart?
All Bryce Lowery knows how to do is play hockey. He’s been playing professionally since he was fifteen. Twenty years later, he’s rich, famous, tired, and alone. And possibly gay according to his ex-wife.
When a blown tire leads directly to mind-blowing sex with a motorcycle-riding white knight named Dakota, Bryce discovers he is most definitely gay. Now Bryce has a tough choice to make, follow the money to a new multimillion dollar contract, or follow his heart into the unknown?
All Dakota Ryan knows how to do is grow apples. Now at twenty-four, he faces losing both his home and his livelihood in one cruel twist of fate.
Then Bryce Lowery crashes into his life like the answer to all of Dakota’s prayers. He’s whispering promises to make all of Dakota’s wildest dreams come true. But Dakota knows better than to give his heart to someone who could leave, and if life has taught him anything, it’s that everyone leaves.
Dakota has a choice, sit back and wait for Bryce to decide his fate, or for the first time in his life, chose what he wants his future to be.
City Boy is a first time gay, fish out of water, May/December love story with a happy ending. It features snarky siblings, a dirty-talking farmer, lots of food, and big choices. (No poultry was harmed in the making of this book.)
Sexy, fun, adorable, sweet…I love a good fish out of water story and when combined with an age gap between partners, great side and secondary characters, and a happy ending I’m a very happy camper. City Boy offered not only romance, but some twists and turns that kept the story flowing well and me interested throughout.
I enjoyed Michael Pauley’s narration overall and thought he did a good job bringing the story to life and giving the character’s personalities a chance to shine.
Note for sticklers: Michael Pauley’s tone and inflection sometimes gets a bit too breathy and he slipped out of the character voice for Dakota a few times. Enough that during dialogue portions I sometimes had to rewind to listen to a section and listen again to understand what was happening.