A Position in Paris (CrabbyPatty’s Review)

Title: A Position in Paris
Author: Megan Reddaway
Publisher: Self Published
Release Date: August 20, 2018
Genre(s): M/M Historical Romance
Page Count: 260
Reviewed by: CrabbyPatty
Heat Level: 1 flames out of 5
Rating: 3 stars out of 5

Blurb:

Paris, 1919. World War One is over, and wounded hero James Clarynton is struggling to face life without one leg, one eye, and the devilish good looks he had before the conflict. Now he must pay for affection, and it leaves him bitter. He’s filling the time by writing a book—but it’s the young man who comes to type it who really intrigues him.

Edmund Vaughan can’t turn down the chance to be secretary to the wealthy James Clarynton. He’s been out of work since the armistice, and his mother and brother depend on him. But he has secrets to hide, and the last thing he wants is an employer who keeps asking questions.

As they work together, their respect for each other grows, along with something deeper. But tragedy threatens, and shadows from the past confront them at every turn. They must open their hearts and trust each other if they are to break down the barriers that separate them.

A heartwarming romance with some dark moments along the way.


A very sedate love story set at the end of WWI in Paris. James Clarynton survived the war, but lost a leg and an eye. He’s set up in an apartment in Paris with lots of money (courtesy of a rich dead relative) but with little to actually do. His friend suggests he write a book and James engages a male secretary, Edmund, to take shorthand and transcribe.

Edmund lives a rather grim hand-to-mouth existence in Paris with his mother and brother Robby, who has tuberculosis. There is a secret about Edmund’s family, and he keeps that shame very close to the chest. Edmund has his pride, if little else, and is very closed-mouth about his family and his background, and even his first name, which he doesn’t share with James at first. (He goes by E. Vaughan.)

The novel is written in an epistolary style, so we get both James’ and Edmund’s POV throughout via their respective journals. The pace of the story is very, very leisurely as the two men work together for some time before James learns Edmund’s first name, and longer as he slowly discovers more and more about Edmund’s family. There are miscommunications a-plenty, and while both men are attracted to the other, it takes most of the book before they kiss, and there is no on-page sex, other than a fade-to-black scene.

I liked the historical setting for this story and James’ recovery from his injuries, and how the romance between James and Edmund gently unfolds, but felt the pace was at times excruciatingly slow. Also the epistolary style added another layer of distance in the romance, since we are reading about what happened after the fact in a journal entry, rather than feeling the emotions “live.”

Overall, I liked the premise of this story, and I would definitely read more by Megan Reddaway in the future, but this story didn’t really come to life for me. 3 stars.


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Advanced Review Copy

Galley copy of A Position in Paris provided by the author in exchange of an honest review.

Author

Once you learn to read, you will be forever free.  Frederick Douglas

I distinctly remember that day in school when, all of a sudden, those squiggles on the page made sense and I could read. It has changed my life in ways I still cannot comprehend.

My favorite M/M tropes are friends-to-lovers, murder/mysteries, amnesia, hurt/healing and historicals. Shifters, vampires, paranormal? Meh … not in my wheelhouse, but I’m a sucker for a well-written well-plotted book, no matter the genre.

Favorite authors includes Brandon Witt, Rick R. Reed, Abigail Roux, Jay Northcote, JL Merrow, KJ Charles, Lane Hayes, Marshall Thornton and so many more.

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